Technicolor_JF04_color_push_d65_r709: Both the color saturation and contrast are significantly increased to create this bold look.Technicolor_JF03_silver_color_pull_fpe_r709: In this look, the color saturation is substantially reduced, while the contrast is heavily pushed.Technicolor_JF02_cool_color_push_fpe_r709: The overall color cast of this look is shifted toward blue/cyan with boosted saturation and increased contrast.Technicolor_JF01_fogged_color_pull_fpe_r709: Upping the lower end of the signal and fogging the blacks, this look is subtly desaturated with increased highlight contrast.
Sony cine4 to rec709 lut skin#
Technicolor_AB04_warm_d65_r709: Warm with a yellow bias and soft saturation, this look retains a pleasing skin tone.Technicolor_AB03_warm_fpe_r709 Warm with a yellow bias and soft saturation, this look retains a pleasing skin tone.Technicolor_AB02_cool_d65_r709: Cool with popped cyan and an overall lower saturation, this look retains skin tone.Technicolor_AB01_cool_fpe_r709: Cool with popped cyan and an overall lower saturation, this look retains skin tone with film emulation in the tone curve.The Picture Shop Look Collection was produced by the company’s amazing talent roster of esteemed colorists.įilmography highlights: The Princess Switch: Switched Again, The Truth About the Harry Quebert Affair, The Little Prince. The collaboration between Sony and Picture Shop (previously Technicolor) to develop custom looks for VENICE was a natural fit since the post house worked closely with Sony on the first production made on the camera in 2017 (The Dig, Dir: Joseph Kosinski, DP: Claudio Miranda, ASC). art files became possible in the November 2020 release of firmware V6.0 for VENICE.
Specifically, for on-set monitoring, the Picture Shop Look Collection for VENICE includes Sony’s new proprietary file format. These files can be used for on-set monitoring, as well as be applied in post-production.
Sony cine4 to rec709 lut free#
The Picture Shop Look Collection for VENICE allows any VENICE user to add the artistry and experience of world-leading colorists to their productions, through free downloads of LUT (Look Up Table) files. VENICE users now have arguably the best options through a collaboration between Sony and Picture Shop. With the advent of digital cinema cameras two decades ago, options for previewing creative looks on-set have steadily grown.
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